Not having home internet has become, to use the modern parlance, a drag. However, there is a strong possibility that this could be changing in the near future. Nothing concrete yet, but the possibility is there. Much more so than it has been these past few months.
Anywhy. Since my
last post of significant content, there has not been much else to report. The previously-described routine continues apace. Lately this has been interjected with a feeling of constantly being tired, as well as sometimes feeling a vague sort of sadness for no appreciable reason. What? Me, depressed? Who’d’a thunk it!
Stepping off that particular train of thought, there are a couple of non-sequitur observations that I would like to make public here. Time for the three-asterisk paragraphs:
First of all, my mother visited me on Oct. 1, and departed Oct. 5. In some ways, that one week has become the only “real” sort of time that has happened this past month. It’s the only thing that clearly stands out over the enervating blur of workaday days that came before it and that have come since then. It was good to see her again, and to spend some time with her. Even if it was something as simple as watching Wheel of Fortune and Jeopardy! together on my living room couch. During her time here, our major events were a one-day excursion into downtown Boston (whereupon we did some exploring, ate at the Union Oyster House, and where I returned with an early birthday gift consisting of two books and a kickass set of dragon bookends), and her cleaning my entire apartment. This latter aspect left me a twist ambivalent. On the one hand, it struck me as being somewhat insulting that my mother would come all the way up here and then only want to clean my abode, a place that I had already done my damndest to get spick-and-span before her arrival. On the other hand, the place apparently did need that caliber of deep-cleaning, and my earlier offense can be entirely chalked off to wounded pride. At the end of it all, though, it was a slice disheartening to see her leave at the airport. Probably because I knew, even then, that her departure signaled the resumption of the grind. Welcome back, my son. Welcome back to the machine.
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My sincere, if late, thanks to
tamago23 for providing me with free copies of Pendulum’s
In Silico and other assorted tracks by that oh-so-kinetic band. I’ve been listening to them a good deal lately. Frankly, I must say I’m a tad disappointed with this recent outing. Granted, it would be hard to follow up an album like
Hold Your Colour with something equally strong, but that disappointment is still there. This is not to say that this has been a bad album; far from it, in fact. With tracks like “Propane Nightmares” and, especially (for me, anyway), “The Other Side,” outright hatred of this album becomes an untenable proposition. I just wish that the other tracks held up as well. As for the other assorted tracks, they’re pretty good, with “Blood Sugar” meriting special attention.
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Books. One thing that helps to break up the monotony is reading, and, lately, it’s as though I’ve suddenly rediscovered that I now have the time to actually indulge in this particular activity. It doesn’t have to be subsumed by work, or (before) with studying for some damn exam or other. I’d read a few things since coming up to Boston (the last book of note being Cormac McCarthy’s
Child of God), but as of late, mine literary intake has suddenly surged. I recently devoured two James Ellroy novels:
The Black Dahlia, the last of his L. A. Quartet books that I had not yet read, and
American Tabloid, the first of his Underworld USA trilogy and one of the books that comprises my early birthday gift from my mother. The former was a lot more violent than I anticipated, and had an ending that seemed even more unresolved than a typical Ellroy ending usually is, but was overall an excellent read. This book deserved to be his breakout work.
Tabloid shows just how much the master has learned since then, taking the formula of the Quartet books and using it to paint not just a city, but the entire country. It follows three corrupt law enforcement types as they work behind the scenes to enact events that will define their era, enmeshed in a series of monstrous interlocking criminal conspiracies, following their lives and deaths from 1958 up to that most auspicious of dates, November 22, 1963. This book is tied with
L. A. Confidential as my favorite of Ellroy’s novels, and it is just ferociously Goddamned good overall.
Beyond this, I have read
Goodnight Bush, probably one of the most cutting parodies/satires I have ever read in my life. My current “project” is Dan Simmons’s
Hyperion, the first significant science fiction novel I have read in a long time (outside of fantasy and the like). So far, it has been very enjoyable, being a curious blend of futuristic sci-fi with deep religious motifs, set against the backdrop of a universe that is on the verge of destroying itself, and following the progress and stories of a group of pilgrims that may have the key to the universe’s salvation in their hands. That is, if they can contend with the beast that waits for them all: the walking metal abomination known only as the Pain Lord, or, colloquially, the Shrike.
Fun stuff.
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An aside about a movie. In this case, Oliver Stone’s
W. I suppose my question is: Why the fuck was this movie made? Granted, I have not
yet seen this film, so this is going to be even more subjective than usual, but . . . why? It seems like the whole film is populated with caricatures, it tells us nothing new, does not approach events and ideas from new or unusual angles, and its central thesis (that our 43rd president was more of a well-intentioned bumblefuck with family issues moreso than some kind of evil mastermind plotting global American hegemony and economic slavery) is something that most people should have had the past seven fucking years to get intimately acquainted with. It doesn’t really need explanation, and especially this kind of shallow, overtly-financially-motivated examination. Moreover, why make this flick
now? It’s not like we don’t see our president on television often enough, now we have to see him in the fucking theater too? Granted, I may yet see it on DVD, if only for the Josh Brolin factor, but still. Oliver Stone seems to have entered a period of protracted slumming, if turgid shit like this and the blah
World Trade Center is all he can aspire to nowadays.
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My birthday’s coming up. I’m not quite sure what I want to do. My ultimo hombre
cheshgrl has suggested a celebration that is extremely politically incorrect, and while I like the idea, I’m not quite sure how many other people would be willing to come to such an event without getting some feathers ruffled. It’s been a long time since I’ve had something like a themed birthday. Usually my parties consist of going to see a movie, then having dinner with some friends or family. Which I am not averse to; the new James Bond movie,
Quantum of Solace, comes out later in November, and I would be hard-pressed to find a better way to celebrate a birthday than with a screenful of delicious Daniel Craig. But, she seems to want to do something more, and I’d like to try to do something more, as well.
Also, I’m going to be extremely crass and tacky for a moment and say this: If any of you out there are so generously inclined, I do have a link to my Amazon.com wish list up on my LJ profile page. I’m damn well not saying you have to get me something, but, well, it never hurt to suggest it. After all, the worst anyone can do is ignore this and/or say “no.”
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Regarding future entries: They’re probably going to be pretty sparse once again, until a home internet connection has been reestablished. Until then, expect the odd quotes post, and I’ll also try to do my usual Halloween picture post. Aside from that, it’ll be pretty quiet.
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In conclusion,
